There's no chance to capture how wonderful it is, when "The Nagual" becomes a concrete thing you can gaze directly into.
One thing you can't show is that every tiny point of it expands when you gaze at it, in perfect silence.
"Videos" in the air form there, or "knowledge" flows from it, complete with alternate timelines.
That's one reason Carlos and the witches used to say, "It's non-linear..." when attempting to answer a question on the magic they did in their daily life, obviously sad that there was no way to explain to us how wonderful it is.
Carlos once said something very profound, which can't possibly be understood until your silence is far deeper. He said, while explaining why it was worth our efforts to work hard, "It's quite remarkable!"
So just keep in mind, this picture is a bit of a let-down to me. I just couldn't portray what I was doing last night.
I posted it, mainly to "stabilize it". That's our power as a group.
Energetic mass!
Carlos found a path to immortality even better than "The Third Attention" as a result of the workshops he gave.
Which is amazing when you consider the lack of real magic in the audience.
Energy configurations even don Juan wasn't aware of, became available to him.
Imagine what will happen when many of us can do what you see here, and even more!
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It will definitely happen. Reality Riders! :)
Someone commented on my facebook that they got the Tensegrity to work to produce amazing magic, at her last workshop.
He wanted to know how to enter those "videos in the air" you can end up seeing.
Daniel, how long do I have to practice to see something? I practiced for an hour today but I didn't see anything.
Months most likely. Weeks if you are very serious.
Days if you are OBSESSIVE about doing it according to instructions.
As for the average time to see something, I have no idea. You could ask in chat.
However, each time you practice, you should get better at removing your internal dialogue.
So that you can see clearly that you are making progress even if you don't see supernatural sights.
Also, "darkroom" is Tensegrity done in darkness, while forcing off your internal dialogue.
If you cut out any of those three, it's not going to work.
The movements themselves cause the magic to happen. Darkness makes it easier to see your "double" show up out of curiosity, but if you don't get rid of your internal dialogue you won't be able to drift far enough from your normal reality, for it to work.
Think of it this way.
Let's say a Las Vegas Hotel sends you a letter inviting you to stay there for free, all meals paid, but you have to play the trumpet well, in a cheesy lounge act. And you get a pretty nice paycheck too!
Obviously they made a mistake, but the offer is good.
Except you only have 6 months to learn to play well enough that they don't throw you out on your first night.
That's how much work this is.
Let's say I'm your music instructor.
And you're telling me, you practiced for an hour last night, but didn't get any better.
That's what you just did.
Since you compared this to learning the trumpet under pressure, what specific exercises, schedule, or checkpoints would be the equivalent of daily scales, breathing drills, and rehearsals for this practice? How can I structure my darkroom Tensegrity training like a serious music student would?
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Just stick with the instructions. Usually people get creative, because it's so horrible trying to be silent, that they look for some way to get out of it.
Tensegrity in darkness, while forcing silence and focusing on the physical sensations of the muscle movements, lures you double to come off the walls of your luminous shell where it hides out from your grief-stricken internal dialogue.
If it gets too close to your physical body, it absorbs all of your suffering.
Which is endless... We just got used to it.
Here's a picture from an older post showing the situation.
Once it comes off the walls, you can play with it. It's fully visible!
And when you play with it, meaning when you "treat it as real", Darkroom #2 comes into effect.
Rule #1 says, if you gaze in silence at anything that "can't possibly be there", your assemblage point moves down your back, trying to tune in a reality where it's ok for it to be there.
Rule #2 says, if you treat something that "can't possibly be there", as real, your assemblage point shifts sideways at the current level, to make it even more so. More real.
That's how you shape shift, walk through solid walls, leaping into outer space, or shrink down to the size of a toad.
So as you can see, there's no need to be that creative. You'll only miss out on all the magic that comes naturally from sorcery.
Sorcery even kicks Dr. Strange's butt much of the time.
And he's a fictional character.
Okay so key point is returning attention to raw sensation of body at all times.
If you had to teach a beginner in person for the first 30 minutes, what exact sequence would you make them do from walking in the darkroom to finishing the session?
I've seen the purple clouds, so that means that the double has come off the walls, what’s the next milestone after that?
Can you walk me through a real example where you saw something impossible in the darkroom, treated it as real, and noticed the AP shift? What exact actions or sensations told you it worked? The AP shifting feels like a pull right? some kind of vertigo.
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