Full Body Gazing

Work, work, work!!!!

And your magic will never stop growing.

But the work has to involve stopping your internal dialogue, or else your assemblage point can't drift.

It's the goal Carlos gave us! To move your assemblage point along the outside of your luminous shell, down to the bottom and up the front again, and then into alignment with that of your energy body's assemblage point.

With your dreamer! So you can see what your dreamer sees. Merge your eyes.

It's not "visualized" using some crummy Chaosmagick teaching that causes you to deceive yourself.

It's fully visible! And not with your eyes closed, like some lying yogi.

Eyes wide open, fully awake, and drug free.

From time to time you can even walk off into one of the alternate realities you see, right through a solid wall!

This picture shows what I've discovered lately, namely that I had been overemphasizing "the shine of your eyes", and neglecting "will".

But I have to be careful and point out, we don't have anyone to verify if "will" is involved when you assemble dark landscapes all around you in your dark room.

Using Tensegrity, I need to add...

We DO have verification of "the shine of your eyes", "the shiny outer coating rising up from your toes", and enough other things to know that you can induce things to appear by gazing side to side slowly, with your internal dialogue fully stopped.

But as anyone who's studied the books knows, will wasn't discussed nearly enough.

Let's just leave it at this: You can "feel" that the room has an alternate reality filling it from the floor up to mid level, and the fact that it's fully visible isn't as important as the fact that you are using your whole body to "feel" it.

My theory is that Carlos left out more information about "will", because you don't need any.

You can't "learn" about it. You simply have to follow his instructions until you get to the point that will activates, all by itself.

And lets you stabilize the alternate realties you see when you practice.

You'll see some of that if you do tensegrity in perfect silence, and look down at the floor.

Cobwebs first, then organic patterns, and finally the scenery from real locations.